Touch, November 2009

« October 2009 | Main | December 2009 »




Philip Jeck wins the Paul Hamlyn Foundation Award for Composers

Philip Jeck has won the Paul Hamlyn Foundation Award for Composers 2009. A presentation ceremony took place at The Royal Institute of British Architects, London, on 9th November 2009.

Congratulations to Philip on a well-deserved and long overdue award.

See Jeck live: Philip has two gigs scheduled in London in November and December at Café Oto. At “The Night of the Long Worms” Jeck plays a rare bass guitar plus effects set and at “Atmospheres 3” he plays a turntable set. For further information and tickets, visit the TouchShop.


www.phf.org.uk
www.philipjeck.com




Biosphere & Philip Jeck | Touch showcase, Athens | 6th November 2009

This Friday sees Biosphere and Philip Jeck perform live in Greece at BIOS – Athens centre for today's art and cross media. For further information please visit the BIOS website.


www.bios.gr




Tone 39 - Eleh | Nana April Jun "Observations & Momentum"

LP Vinyl only - not available for digital download
Limited edition of 1000
Packaged in a tip-on style outer sleeve

Artwork & Photography: Jon Wozencroft
Cut by Jason at Transition


Track listing:
Side 1: Eleh - Slow Fade for Hard Sync 21'35"
Side 2: Nana April Jun - Sun Wind Darkness Eye 12'45"

“Sun Wind Darkness Eye” is taken from the Nana April Jun album The Ontology of Noise
[Touch # Tone 37, 2009]



About 18 months ago, we were advised of some interesting activity online concerning the nom de bruit of Swedish artist Christofer Lämgren, Nana April Jun; we didn’t know it at the time, because the authorship was something of a mystery. We produced a CD together, The Ontology of Noise in Feb 2009, in which one track, particularly, stood out as being perfect for a vinyl edition.

In the same timeframe, the stream of releases by Eleh on Important Records attracted our attention. These homages to La Monte Young, Pauline Oliveros and Charlemagne Palestine, vinyl-only limited editions stunned us with their acuity and passion for detail… There was something other in the sound. Eleh, also, is an artist who prefers the work to speak for itself, and has other ideas about noise. The digital is questioned by a commitment to a working practice based around analogue tone-generators and letterpress printed covers. The Important Records/Taiga releases are now sought after with a passion by anyone who recognises something truly special occuring. On this new record, Eleh develops the waveforms that the Important Records series started.

The split vinyl format is a great meeting point for this idea of digital persona and analogue privacy. The effect, we hope, is for the vinyl to represent a digital question… That this LP summons up a universal sound and an intimate sphere of operations… Which is of course a continuing dilemma. Here is a great opportunity to hear Eleh and Nana April Jun at their finest.


Buy Observations & Momentum in the TouchShop
www.nanaapriljun.com
www.eleh.org






News archives

» February 2010
» January 2010
» December 2009
» November 2009
» October 2009
» September 2009
» August 2009
» July 2009
» June 2009
» May 2009
» April 2009
» March 2009
» February 2009
» January 2009
» December 2008
» November 2008
» October 2008
» September 2008
» August 2008
» July 2008
» June 2008
» May 2008
» April 2008
» March 2008
» February 2008
» January 2008
» December 2007
» November 2007
» October 2007
» September 2007
» August 2007
» July 2007
» June 2007
» May 2007
» April 2007
» March 2007
» February 2007
» January 2007
» December 2006
» November 2006
» October 2006
» September 2006
» August 2006
» July 2006
» June 2006
» May 2006
» April 2006
» March 2006