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	<channel>
		<atom:link rel="self" href="http://www.touchmusic.org.uk/TouchPod/podcast.xml" type="application/rss+xml" />
		<lastBuildDate>Tue, 01 Jul 2008 15:52:23 +0100</lastBuildDate>
		<title>TouchRadio</title>
		<itunes:author>Touch</itunes:author>
		<link>http://www.touchmusic.org.uk</link>
		<generator>Podcast Maker v1.3.8 - http://www.lemonzdream.com/podcastmaker</generator>
		<description><![CDATA[TouchPod is the podcast for TouchRadio, which offers a selection of recordings, live or otherwise, from artists who are affiliated to or whose work appear on Touch, including Leif Elggren, Christian Fennesz, Carl Michael von Hausswolff, Philip Jeck, Jacob Kirkegaard, BJNilsen, Stephen O'Malley, People Like Us, Peter Rehberg, Simon Fisher Turner, Chris Watson, z'ev, and others.]]></description>
		<itunes:subtitle>Touch »»» TouchRadio »»» TouchPod</itunes:subtitle>
		<itunes:summary>TouchPod is the podcast for TouchRadio, which offers a selection of recordings, live or otherwise, from artists who are affiliated to or whose work appear on Touch, including Leif Elggren, Christian Fennesz, Carl Michael von Hausswolff, Philip Jeck, Jacob Kirkegaard, BJNilsen, Stephen O&apos;Malley, People Like Us, Peter Rehberg, Simon Fisher Turner, Chris Watson, z&apos;ev, and others.</itunes:summary>
		<language>en</language>
		<copyright>Touch Music [MCPS]</copyright>
		<creativeCommons:license>http://creativecommons.org/licenses/by-nd/2.5/</creativeCommons:license>
		<itunes:owner>
			<itunes:name>Touch</itunes:name>
			<itunes:email>info@touchmusic.org.uk</itunes:email>
		</itunes:owner>
		<image>
			<url>http://www.touchmusic.org.uk/TouchPod/podcastImage_144.jpg</url>
			<title>TouchRadio</title>
			<link>http://www.touchmusic.org.uk</link>
			<width>144</width>
			<height>144</height>
		</image>
		<itunes:image href="http://www.touchmusic.org.uk/TouchPod/podcastImage.jpg" />
		<category>Music</category>
		<itunes:category text="Music" />
		<itunes:keywords>Touch,TouchRadio,TouchPod</itunes:keywords>
		<itunes:explicit>no</itunes:explicit>
		<item>
			<title>TouchRadio 32</title>
			<itunes:author>Dr. Tom Lawrence</itunes:author>
			<description><![CDATA[Donadea Forest Recordings, December 2007 to May 2008. 

00:00-04:27 Castle Crow's Cacophony (31st December 2007, 7.20am)
04:28-10:23 January Gales 9th January 2008 10.45pm (contains references to 9/11 forest monument and the avenue of trees, captured with contact mics)
10:24-14:48 Forest Rain 12th January 2008 1.15am (extensive flooding)
14:49-20:36 Forest Harmonics 8th March 2008 6.20-11.50am (sampled forest chimes, forestry felling, and the 'carbon chorus' [surrounding motorways]).
20:37-30:47 The Dawn Chorus (recorded on National Dawn Chorus Day 20th May 2008, 4.35am)

Tom Lawrence is a composer/sound recordist. He is on the Faculty of Humanities and Social Sciences at Dublin City University. 

Principle photography by Eddie Mallin from Dublin, currently living in Kildare. Using film-based cameras, he prints using traditional darkroom techniques and favours fibre-based papers. Images for this project are mainly scanned negatives. 

Supplementary photography captured during recording sessions by Tom Lawrence.

These recordings were made using a Sennheiser mkh20 binaural rig, a Neumann kmr82, contact microphones, a hydrophone, a Sony C1 and a Sound Devices mixer and recorder.]]></description>
			<itunes:subtitle>Tom Lawrence - Donadea Forest</itunes:subtitle>
			<itunes:summary>Donadea Forest Recordings, December 2007 to May 2008. 

00:00-04:27 Castle Crow&apos;s Cacophony (31st December 2007, 7.20am)
04:28-10:23 January Gales 9th January 2008 10.45pm (contains references to 9/11 forest monument and the avenue of trees, captured with contact mics)
10:24-14:48 Forest Rain 12th January 2008 1.15am (extensive flooding)
14:49-20:36 Forest Harmonics 8th March 2008 6.20-11.50am (sampled forest chimes, forestry felling, and the &apos;carbon chorus&apos; [surrounding motorways]).
20:37-30:47 The Dawn Chorus (recorded on National Dawn Chorus Day 20th May 2008, 4.35am)

Tom Lawrence is a composer/sound recordist. He is on the Faculty of Humanities and Social Sciences at Dublin City University. 

Principle photography by Eddie Mallin from Dublin, currently living in Kildare. Using film-based cameras, he prints using traditional darkroom techniques and favours fibre-based papers. Images for this project are mainly scanned negatives. 

Supplementary photography captured during recording sessions by Tom Lawrence.

These recordings were made using a Sennheiser mkh20 binaural rig, a Neumann kmr82, contact microphones, a hydrophone, a Sony C1 and a Sound Devices mixer and recorder.</itunes:summary>
			<enclosure type="audio/x-m4a" url="http://www.touchmusic.org.uk/TouchPod/donadea.m4a" length="52900096" />
			<link>http://www.touchradio.org.uk/Radio32/Radio32.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/donadea.m4a</guid>
			<pubDate>Tue, 10 Jun 2008 17:06:38 +0100</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:30:46</itunes:duration>
			<itunes:keywords>Touch,TouchRadio,TouchPod</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 31</title>
			<itunes:author>Simon Fisher Turner</itunes:author>
			<description><![CDATA[1. Lindsay Anderson recorded at the memorial service for Andrei Tarkovsky [1932-1986] at St. James's Church, Piccadilly, London

2. Filming The Garden [Derek Jarman, 1990] at Dungeness, Kent.

3. Mrs. Oyler in conversation with Derek Jarman

4. Brick Lane Man, 1988]]></description>
			<itunes:subtitle>Simon Fisher Turner - Lifesounds</itunes:subtitle>
			<itunes:summary>1. Lindsay Anderson recorded at the memorial service for Andrei Tarkovsky [1932-1986] at St. James&apos;s Church, Piccadilly, London

2. Filming The Garden [Derek Jarman, 1990] at Dungeness, Kent.

3. Mrs. Oyler in conversation with Derek Jarman

4. Brick Lane Man, 1988</itunes:summary>
			<enclosure type="audio/x-m4a" url="http://www.touchmusic.org.uk/TouchPod/Lifesounds.m4a" length="16987680" />
			<link>http://www.touchradio.org.uk/Radio31/Radio31.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/Lifesounds.m4a</guid>
			<pubDate>Sat, 17 May 2008 14:17:13 +0100</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:23:08</itunes:duration>
			<itunes:keywords>Touch,TouchRadio,TouchPod</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 30</title>
			<itunes:author>Enrico Coniglio</itunes:author>
			<description><![CDATA[As part of an ongoing series of recordings of unusual sounds of the Venice lagoon, these tracks were made on 29th april 2008 at 2100 in a night-depot of boats of the public transport service at “Riva dei Schiavoni”, not far from San Marco square.

Headphones are recommended. Recorded 24/96, with binaural stereo mic.

"Sapientum super acquis" is the title attribuited to the "Magistrato alle acque" of the Serenissima Venetian Republic, an organ istituited on 1501 by the "Council of ten", that had the job of keeping safe the delicate natural/artificial balance of the lagoon, and looking after the "health" of the water.

Today the water is mostly polluted because of Porto Marghera, one of the biggest industrial areas in the whole Europe. ]]></description>
			<itunes:subtitle>Enrico Coniglio - Sapientumsuperacquis</itunes:subtitle>
			<itunes:summary>As part of an ongoing series of recordings of unusual sounds of the Venice lagoon, these tracks were made on 29th april 2008 at 2100 in a night-depot of boats of the public transport service at “Riva dei Schiavoni”, not far from San Marco square.

Headphones are recommended. Recorded 24/96, with binaural stereo mic.

&quot;Sapientum super acquis&quot; is the title attribuited to the &quot;Magistrato alle acque&quot; of the Serenissima Venetian Republic, an organ istituited on 1501 by the &quot;Council of ten&quot;, that had the job of keeping safe the delicate natural/artificial balance of the lagoon, and looking after the &quot;health&quot; of the water.

Today the water is mostly polluted because of Porto Marghera, one of the biggest industrial areas in the whole Europe. </itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.touchmusic.org.uk/TouchPod/Sapientumsuperacquis.mp3" length="33455535" />
			<link>http://www.touchradio.org.uk/Radio30/Radio30.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/Sapientumsuperacquis.mp3</guid>
			<pubDate>Wed, 30 Apr 2008 16:03:24 +0100</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:23:13</itunes:duration>
			<itunes:keywords>Touch,TouchRadio,TouchPod</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 29</title>
			<itunes:author>Novi_sad</itunes:author>
			<description><![CDATA[Recorded, assembled and produced by Novi_sad, March 2008. Mastered by Electroware and Novi_sad at Dsp Lab, Athens

The whole piece is based on field recordings from:

Mamori Lake, Amazonia, Brazil
Alphios Bridge, Ancient Olympia, Greece
Vibrations from the bridge which connects Denmark with Sweden
The Heineken Brewery, Greece

and hydrophone recordings* from Mamori Lake.

Also use were sounds and notes from a church organ.

Output signals have been manipulated and electronically treated.

Dramazon is made in memory of a long rainy night in Amsterdam...

In the era of 0111001100011101011o, one thing remains stable and it will remain stable and non-mutated for eternity. The way people kiss, the way bodies are connected...

[*thanx to Scott Konzelmann]]]></description>
			<itunes:subtitle>Novi_sad - Dramazon</itunes:subtitle>
			<itunes:summary>Recorded, assembled and produced by Novi_sad, March 2008. Mastered by Electroware and Novi_sad at Dsp Lab, Athens

The whole piece is based on field recordings from:

Mamori Lake, Amazonia, Brazil
Alphios Bridge, Ancient Olympia, Greece
Vibrations from the bridge which connects Denmark with Sweden
The Heineken Brewery, Greece

and hydrophone recordings* from Mamori Lake.

Also use were sounds and notes from a church organ.

Output signals have been manipulated and electronically treated.

Dramazon is made in memory of a long rainy night in Amsterdam...

In the era of 0111001100011101011o, one thing remains stable and it will remain stable and non-mutated for eternity. The way people kiss, the way bodies are connected...

[*thanx to Scott Konzelmann]</itunes:summary>
			<enclosure type="audio/x-m4a" url="http://www.touchmusic.org.uk/TouchPod/dramazon.m4a" length="42152592" />
			<link>http://www.touchradio.org.uk/Radio29/Radio29.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/dramazon.m4a</guid>
			<pubDate>Fri, 28 Mar 2008 18:57:05 +0000</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:22:52</itunes:duration>
			<itunes:keywords>Touch,TouchRadio,TouchPod</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 28</title>
			<itunes:author>Jana Winderen</itunes:author>
			<description><![CDATA[Latitude: 61° 2 Min. 12 Sec.
Longitude: 4° 36 Min. 36 Sec.

Name: Utvær Light
Nearest Town or City: Hardbakke, Norway
Location: About 4 miles west of Ytre Sula.
Managing Organization: Coast Directorate
Tower Height: 101
Height of Focal Plane: 148
Characteristic and Range: White flash every 30 seconds; range 19 nautical miles.
Description of Tower: Red round cast-iron tower.

This light is operational

Date Established: 1900
Date Present Tower Built: 1900

Current Use: Active aid to navigation.
Open To Public? Yes.]]></description>
			<itunes:subtitle>Jana Winderen - Utvaer</itunes:subtitle>
			<itunes:summary>Latitude: 61° 2 Min. 12 Sec.
Longitude: 4° 36 Min. 36 Sec.

Name: Utvær Light
Nearest Town or City: Hardbakke, Norway
Location: About 4 miles west of Ytre Sula.
Managing Organization: Coast Directorate
Tower Height: 101
Height of Focal Plane: 148
Characteristic and Range: White flash every 30 seconds; range 19 nautical miles.
Description of Tower: Red round cast-iron tower.

This light is operational

Date Established: 1900
Date Present Tower Built: 1900

Current Use: Active aid to navigation.
Open To Public? Yes.</itunes:summary>
			<enclosure type="audio/x-m4a" url="http://www.touchmusic.org.uk/TouchPod/utvaer.m4a" length="18422768" />
			<link>http://www.touchradio.org.uk/Radio28/Radio28.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/utvaer.m4a</guid>
			<pubDate>Sun, 20 Jan 2008 10:34:00 +0000</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:12:24</itunes:duration>
			<itunes:keywords>Touch,TouchRadio,TouchPod</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 27</title>
			<itunes:author>Gudni Franzson</itunes:author>
			<description><![CDATA[It was last July, summer 2007,  we went to a party at Laugarvatn, one of the few places where there grow natural trees in Iceland, approximately one hours drive east of Reykjavik.  The party was good and went far into the bright night but we had put up a tent to lie down in the morning.  I wasn't at all tired in the morning but started listening to the incredible birds in the woods and down in the mob until day broke.  I was sorry not to have the recording machine with me that night but decided to return the night after with my gear, hoping the birds would still be there.  They were and this time I was alone in the place, did but up a small mic and pressed the rec. button, the result is on the Touch Radio.]]></description>
			<itunes:subtitle>Gudni Franzson - notturno</itunes:subtitle>
			<itunes:summary>It was last July, summer 2007,  we went to a party at Laugarvatn, one of the few places where there grow natural trees in Iceland, approximately one hours drive east of Reykjavik.  The party was good and went far into the bright night but we had put up a tent to lie down in the morning.  I wasn&apos;t at all tired in the morning but started listening to the incredible birds in the woods and down in the mob until day broke.  I was sorry not to have the recording machine with me that night but decided to return the night after with my gear, hoping the birds would still be there.  They were and this time I was alone in the place, did but up a small mic and pressed the rec. button, the result is on the Touch Radio.</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.touchmusic.org.uk/TouchPod/notturno.mp3" length="39839260" />
			<link>http://www.touchradio.org.uk/Radio27/Radio27.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/notturno.mp3</guid>
			<pubDate>Sun, 02 Dec 2007 10:44:48 +0000</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:55:17</itunes:duration>
			<itunes:keywords>Touch,TouchRadio,TouchPod</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 26</title>
			<itunes:author>Lasse Marhaug</itunes:author>
			<description><![CDATA[A commissioned sound installation for the Hole In The Sky festival in Bergen, Norway August 21-25th 2007. The installation was made using six channels. This is an edit/simplified stereo mix made for Touch Radio. " Into The Pandemonium" is a de-composition/ celebration of 25 years of extreme metal music. Fragments of classic moments in death/thrash/black metal music have been mangled, disfigured and reworked into a festering pulp of distortion, doom and noise.]]></description>
			<itunes:subtitle>Lasse Marhaug - Into The Pandemonium (Touch Radio Mix)</itunes:subtitle>
			<itunes:summary>A commissioned sound installation for the Hole In The Sky festival in Bergen, Norway August 21-25th 2007. The installation was made using six channels. This is an edit/simplified stereo mix made for Touch Radio. &quot; Into The Pandemonium&quot; is a de-composition/ celebration of 25 years of extreme metal music. Fragments of classic moments in death/thrash/black metal music have been mangled, disfigured and reworked into a festering pulp of distortion, doom and noise.</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.touchmusic.org.uk/TouchPod/Pandemonium.mp3" length="45849339" />
			<link>http://www.touchradio.org.uk/Radio26/Radio26.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/Pandemonium.mp3</guid>
			<pubDate>Mon, 20 Aug 2007 14:16:44 +0100</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:31:22</itunes:duration>
			<itunes:keywords>Touch,TouchRadio,TouchPod</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 25</title>
			<itunes:author>Chris Watson</itunes:author>
			<description><![CDATA[Saligo Bay sits in the nw corner of the Island of Islay in the Scottish Hebrides. Atlantic waves break on the shore and westerly winds drive straight up the beach and create mosaic patterns of sound in the low-lying vegetation. 'The Sound of Islay' then waits for the winds to die and the sun to dip into the ocean before investigating the nocturnal sounds on the wetlands of Loch Gruinart.]]></description>
			<itunes:subtitle>Chris Watson - The Sound of Islay: a report from The Hebrides</itunes:subtitle>
			<itunes:summary>Saligo Bay sits in the nw corner of the Island of Islay in the Scottish Hebrides. Atlantic waves break on the shore and westerly winds drive straight up the beach and create mosaic patterns of sound in the low-lying vegetation. &apos;The Sound of Islay&apos; then waits for the winds to die and the sun to dip into the ocean before investigating the nocturnal sounds on the wetlands of Loch Gruinart.</itunes:summary>
			<enclosure type="audio/x-m4a" url="http://www.touchmusic.org.uk/TouchPod/Islay.m4a" length="36361472" />
			<link>http://www.touchradio.org.uk/Radio25/Radio25.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/Islay.m4a</guid>
			<pubDate>Wed, 06 Jun 2007 15:30:55 +0100</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:24:20</itunes:duration>
			<itunes:keywords>Touch,TouchRadio,TouchPod</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 24</title>
			<itunes:author>Steve Roden</itunes:author>
			<description><![CDATA["'9-sided room' was created in May 2007 by layering 9 sides from some of the vinyl I've released over the years. it is basically what would happen if I had 9 turntables in my studio and was able to play these records all at the same time. There's a bit of mixing things in and out but no processing or manipulation. Along with some recent things, I've included the very first record I ever made - a 6" cardboard recording from a phono booth machine at a Los Angeles amusement park c. 1969. '9-sided room' is intended to be heard at a relatively low volume."]]></description>
			<itunes:subtitle>Steve Roden - 9-Sided Room</itunes:subtitle>
			<itunes:summary>&quot;&apos;9-sided room&apos; was created in May 2007 by layering 9 sides from some of the vinyl I&apos;ve released over the years. it is basically what would happen if I had 9 turntables in my studio and was able to play these records all at the same time. There&apos;s a bit of mixing things in and out but no processing or manipulation. Along with some recent things, I&apos;ve included the very first record I ever made - a 6&quot; cardboard recording from a phono booth machine at a Los Angeles amusement park c. 1969. &apos;9-sided room&apos; is intended to be heard at a relatively low volume.&quot;</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.touchmusic.org.uk/TouchPod/steveroden.mp3" length="19463070" />
			<link>http://www.touchradio.org.uk/Radio24/Radio24.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/steveroden.mp3</guid>
			<pubDate>Mon, 14 May 2007 10:15:27 +0100</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:27:00</itunes:duration>
			<itunes:keywords>Touch,TouchRadio,TouchPod</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 23</title>
			<itunes:author>Leif Elggren</itunes:author>
			<description><![CDATA[Leif Elggren - Live in London]]></description>
			<itunes:subtitle>Leif Elggren - Live at Limehouse Town Hall, London, March 23rd 2006</itunes:subtitle>
			<itunes:summary>Leif Elggren - Live in London</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.touchmusic.org.uk/TouchPod/leif.mp3" length="14546467" />
			<link>http://www.touchradio.org.uk/Radio23/Radio23.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/leif.mp3</guid>
			<pubDate>Wed, 21 Mar 2007 08:49:57 +0000</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:20:11</itunes:duration>
			<itunes:keywords>Touch,TouchRadio,TouchPod</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 22</title>
			<itunes:author>Scott Taylor</itunes:author>
			<description><![CDATA['Silver' was conceived for TouchRadio as part of their 25th anniversary.

As a starting point, electronic sounds were created using a malfunctioning Sequential Circuits Prophet 5 synth, recorded in 5 improvised passes of 25 minutes each - 5x5=25. The title also reflects this, silver being the material that denotes a 25th anniversary. Field recordings were made in Thailand and New Zealand over December 2006 and incorporated into the sonic jamboree - the piercing, feedback like tone at the start is the actual sound of cicadas in the Thai sub-tropical rainforest, untreated, the sound they produce as individuals synchronizing every 60/90 seconds to produce almost a pure sine wave. Further on is the dawn chorus in Wellington, New Zealand with the distinctive, clacking call of a bird called a Tui sounding out. Close to the end of the piece is the singing of a young Thai lad, sat around the neck of an elephant as we both rode into the rainforest, 'home' never too far away for me as he was wearing a t-shirt on the back of which was printed the front page of a US newspaper from 1979 announcing the death of Sid Vicious!

Recordings made with an Edirol R-09 and Soundman binaural, in-ear microphones..]]></description>
			<itunes:subtitle>Scott Taylor - Silver</itunes:subtitle>
			<itunes:summary>&apos;Silver&apos; was conceived for TouchRadio as part of their 25th anniversary.

As a starting point, electronic sounds were created using a malfunctioning Sequential Circuits Prophet 5 synth, recorded in 5 improvised passes of 25 minutes each - 5x5=25. The title also reflects this, silver being the material that denotes a 25th anniversary. Field recordings were made in Thailand and New Zealand over December 2006 and incorporated into the sonic jamboree - the piercing, feedback like tone at the start is the actual sound of cicadas in the Thai sub-tropical rainforest, untreated, the sound they produce as individuals synchronizing every 60/90 seconds to produce almost a pure sine wave. Further on is the dawn chorus in Wellington, New Zealand with the distinctive, clacking call of a bird called a Tui sounding out. Close to the end of the piece is the singing of a young Thai lad, sat around the neck of an elephant as we both rode into the rainforest, &apos;home&apos; never too far away for me as he was wearing a t-shirt on the back of which was printed the front page of a US newspaper from 1979 announcing the death of Sid Vicious!

Recordings made with an Edirol R-09 and Soundman binaural, in-ear microphones..</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.touchmusic.org.uk/TouchPod/scott.mp3" length="24015587" />
			<link>http://www.touchradio.org.uk/Radio22/Radio22.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/scott.mp3</guid>
			<pubDate>Tue, 13 Feb 2007 10:52:03 +0000</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:25:00</itunes:duration>
			<itunes:keywords>Touch,TouchRadio,TouchPod</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 21</title>
			<itunes:author>The Skull Defekts</itunes:author>
			<description><![CDATA[Recorded at iDEAL Noise Fest, Stockholm. On this occasion, The Skull Defekts were Carl Michael von Hausswolff, Henrik Rylander, Joachim Nordwall and Jean-Louis Huhta.]]></description>
			<itunes:subtitle>The Skull Defekts - Live at Fylkingen, Stockholm, November 12th 2007</itunes:subtitle>
			<itunes:summary>Recorded at iDEAL Noise Fest, Stockholm. On this occasion, The Skull Defekts were Carl Michael von Hausswolff, Henrik Rylander, Joachim Nordwall and Jean-Louis Huhta.</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.touchmusic.org.uk/TouchPod/skull.mp3" length="25959525" />
			<link>http://www.touchradio.org.uk/Radio21/Radio21.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/skull.mp3</guid>
			<pubDate>Fri, 29 Dec 2006 11:48:36 +0000</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:36:02</itunes:duration>
			<itunes:keywords>Touch,TouchRadio,TouchPod</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 20</title>
			<itunes:author>Daniel Menche</itunes:author>
			<description><![CDATA[These 'fragments' were constructed for TouchRadio throughout 2006... Daniel Menche says: "Sound of Vehemence!" Music is like one's own blood, so amplify it! As loud as possible - make the speakers bleed!"]]></description>
			<itunes:subtitle>Daniel Menche - Apostate</itunes:subtitle>
			<itunes:summary>These &apos;fragments&apos; were constructed for TouchRadio throughout 2006... Daniel Menche says: &quot;Sound of Vehemence!&quot; Music is like one&apos;s own blood, so amplify it! As loud as possible - make the speakers bleed!&quot;</itunes:summary>
			<enclosure type="audio/x-m4a" url="http://www.touchmusic.org.uk/TouchPod/Apostate.m4a" length="26533983" />
			<link>http://www.touchradio.org.uk/Radio20/Radio20.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/Apostate.m4a</guid>
			<pubDate>Sun, 26 Nov 2006 15:27:55 +0000</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:36:50</itunes:duration>
			<itunes:keywords>Touch,TouchRadio,TouchPod</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 19</title>
			<itunes:author>Fennesz/Rehberg/Toral/Feliciano</itunes:author>
			<description><![CDATA[Performed in a garden at the top of a hill in Foz Coa, at the remote northeast of Portugal. Overlooking the valley and the far slope of the opposite hill, at dusk, Pita, Fennesz (computers) and Rafael Toral (modular synth) played as João Paulo Feliciano mixed live into a sound-modulated light generating cube. The scale of the cube, the throbbing, rich colors emanating from it and the electronics setting gave the event an otherwordly feel, pretty much as if an alien spaceship had landed there.]]></description>
			<itunes:subtitle>Fennesz/Rehberg/Toral &amp; Feliciano - Live at Vila Nova de Foz Coa, May 29th 1999</itunes:subtitle>
			<itunes:summary>Performed in a garden at the top of a hill in Foz Coa, at the remote northeast of Portugal. Overlooking the valley and the far slope of the opposite hill, at dusk, Pita, Fennesz (computers) and Rafael Toral (modular synth) played as João Paulo Feliciano mixed live into a sound-modulated light generating cube. The scale of the cube, the throbbing, rich colors emanating from it and the electronics setting gave the event an otherwordly feel, pretty much as if an alien spaceship had landed there.</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.touchmusic.org.uk/TouchPod/fozcoa.mp3" length="44571412" />
			<link>http://www.touchradio.org.uk/Radio19/Radio19.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/fozcoa.mp3</guid>
			<pubDate>Tue, 26 Sep 2006 16:15:50 +0100</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>01:01:53</itunes:duration>
			<itunes:keywords>Touch,TouchRadio,TouchPod</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 18</title>
			<itunes:author>Chris Watson</itunes:author>
			<description><![CDATA["The Alcedo Volcano sits, astride the equator 1000m above the Pacific ocean on the central ridge of Isla Isabella the largest of the Galapagos Islands. For tens of thousands of years within the micro climate of the Caldero a strange and beautiful habitat has been created - an isolated and lost world which I was privileged to live within for several days during May 2006." Chris Watson, June 2006]]></description>
			<itunes:subtitle>Chris Watson - Alcedo Volcano</itunes:subtitle>
			<itunes:summary>&quot;The Alcedo Volcano sits, astride the equator 1000m above the Pacific ocean on the central ridge of Isla Isabella the largest of the Galapagos Islands. For tens of thousands of years within the micro climate of the Caldero a strange and beautiful habitat has been created - an isolated and lost world which I was privileged to live within for several days during May 2006.&quot; Chris Watson, June 2006</itunes:summary>
			<enclosure type="audio/x-m4a" url="http://www.touchmusic.org.uk/TouchPod/volcano.m4a" length="7861200" />
			<link>http://www.touchradio.org.uk/Radio18/Radio18.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/volcano.m4a</guid>
			<pubDate>Sat, 17 Jun 2006 09:43:39 +0100</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:15:00</itunes:duration>
			<itunes:keywords>Touch,TouchRadio,TouchPod</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 17</title>
			<itunes:author>Brandon Labelle</itunes:author>
			<description><![CDATA['CD=text (psycho-acoustical speech)' was recorded in different cities with different friends, inspired by other notions of sampling technology and the remix-format, and the dynamics of mishearing.

Special thanks to Lupe Nuñez-Fernandez, Ken Ehrlich, Giles Lane, and Lun*na Menoh for their participation.

Brandon LaBelle is an artist and writer working with sound, location, and performance. His ongoing project to build a library of radio memories, "Phantom Radio", will be presented this autumn as part of Radio Revolten, Halle Germany. He lives in Copenhagen and is a member of freq_out.]]></description>
			<itunes:subtitle>Brandon LaBelle - CD=text (psycho-acoustical speech)</itunes:subtitle>
			<itunes:summary>&apos;CD=text (psycho-acoustical speech)&apos; was recorded in different cities with different friends, inspired by other notions of sampling technology and the remix-format, and the dynamics of mishearing.

Special thanks to Lupe Nuñez-Fernandez, Ken Ehrlich, Giles Lane, and Lun*na Menoh for their participation.

Brandon LaBelle is an artist and writer working with sound, location, and performance. His ongoing project to build a library of radio memories, &quot;Phantom Radio&quot;, will be presented this autumn as part of Radio Revolten, Halle Germany. He lives in Copenhagen and is a member of freq_out.</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.touchmusic.org.uk/TouchPod/CDText.mp3" length="35492056" />
			<link>http://www.touchradio.org.uk/Radio17/Radio17.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/CDText.mp3</guid>
			<pubDate>Mon, 22 May 2006 11:33:10 +0100</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:36:57</itunes:duration>
			<itunes:keywords>Touch,TouchRadio,TouchPod</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 16</title>
			<itunes:author>Jana Winderen</itunes:author>
			<description><![CDATA[This piece is solely based on Hydrophone recordings, made by Jana Winderen in Berlin, Mjøsa, Halifax (Canada) and Oslo. With thanks to Doug Quin, samples of whose work also were used in this piece.

[Recorded in Stockholm by BJNilsen on the 13th anniversary of the founding of Ash International. Also performing that night were Alvars Orkester, Elgaland-Vargaland, BJNilsen and OCSID.]

Jana Winderen is an artist, curator and producer who lives and works in Oslo, Norway. She is a member of freq_out.]]></description>
			<itunes:subtitle>Jana Winderen - Live at Ash 13, Fylkingen, Stockholm, February 26th 2006</itunes:subtitle>
			<itunes:summary>This piece is solely based on Hydrophone recordings, made by Jana Winderen in Berlin, Mjøsa, Halifax (Canada) and Oslo. With thanks to Doug Quin, samples of whose work also were used in this piece.

[Recorded in Stockholm by BJNilsen on the 13th anniversary of the founding of Ash International. Also performing that night were Alvars Orkester, Elgaland-Vargaland, BJNilsen and OCSID.]

Jana Winderen is an artist, curator and producer who lives and works in Oslo, Norway. She is a member of freq_out.</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.touchmusic.org.uk/TouchPod/Ash13.mp3" length="10869243" />
			<link>http://www.touchradio.org.uk/Radio16/Radio16.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/Ash13.mp3</guid>
			<pubDate>Fri, 31 Mar 2006 16:01:13 +0100</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:16:30</itunes:duration>
			<itunes:keywords>Touch,TouchRadio,TouchPod</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 15</title>
			<itunes:author>Stephan Mathieu</itunes:author>
			<description><![CDATA['Radio One' is a live recording from the premiere performance of 'Radioland', played on September 24, 2005 during the EMF Festival at Igreja de Santiago, a 15th century chapel in Palmela, Portugal. 'Radioland' is based on live radio input re-arranged by Stephan's computer. The original 6-channel diffusion is presented here as a stereo mixdown. The piece is dedicated to Vitor Joaquim.]]></description>
			<itunes:subtitle>Stephan Mathieu - Radio One</itunes:subtitle>
			<itunes:summary>&apos;Radio One&apos; is a live recording from the premiere performance of &apos;Radioland&apos;, played on September 24, 2005 during the EMF Festival at Igreja de Santiago, a 15th century chapel in Palmela, Portugal. &apos;Radioland&apos; is based on live radio input re-arranged by Stephan&apos;s computer. The original 6-channel diffusion is presented here as a stereo mixdown. The piece is dedicated to Vitor Joaquim.</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.touchmusic.org.uk/TouchPod/RadioLand.mp3" length="20595510" />
			<link>http://www.touchradio.org.uk/Radio15/Radio15.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/RadioLand.mp3</guid>
			<pubDate>Thu, 23 Mar 2006 16:13:36 +0000</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:31:25</itunes:duration>
			<itunes:keywords>Touch,TouchRadio,TouchPod</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 14</title>
			<itunes:author>IVAR/GRUTLE/AMBARCHI/O&apos;MALLEY/TURNER/CSIHAR</itunes:author>
			<description><![CDATA[Press conference/panel at Roskilde Festival 010705

Panelists consisted of Ivar & Grutle (of the Norwegian group ENSLAVED), Stephen O'Malley, Oren Ambarchi & Attila Csihar (all of whom had performed with SUNN O))) that day), and Aaron Turner of ISIS.]]></description>
			<itunes:subtitle>Press conference at Roskilde Festival, July 1st 2005</itunes:subtitle>
			<itunes:summary>Press conference/panel at Roskilde Festival 010705

Panelists consisted of Ivar &amp; Grutle (of the Norwegian group ENSLAVED), Stephen O&apos;Malley, Oren Ambarchi &amp; Attila Csihar (all of whom had performed with SUNN O))) that day), and Aaron Turner of ISIS.</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.touchmusic.org.uk/TouchPod/Roskilde.mp3" length="45998159" />
			<link>http://www.touchradio.org.uk/Radio14/Radio14.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/Roskilde.mp3</guid>
			<pubDate>Sun, 05 Mar 2006 12:58:10 +0000</pubDate>
			<category>Music</category>
			<itunes:explicit>yes</itunes:explicit>
			<itunes:duration>00:35:06</itunes:duration>
			<itunes:keywords>Touch,TouchRadio,TouchPod</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 13</title>
			<itunes:author>Leif Inge</itunes:author>
			<description><![CDATA[Leif Inge - Naeae...

Leif Inge is an Oslo-based idea-based artist, working with time-stretching sound to create beautiful, but thrilling and powerful, soundscapes. As in his epic 9 Beet Stretch, 24 hour long concerts with time-stretched 9th symphony by Beethoven, the work featured here is a granulated piece of sound sculpture made on the superb CLM software by Bill Schottsteadt

]]></description>
			<itunes:subtitle>Leif Inge - Naeae...</itunes:subtitle>
			<itunes:summary>Leif Inge - Naeae...

Leif Inge is an Oslo-based idea-based artist, working with time-stretching sound to create beautiful, but thrilling and powerful, soundscapes. As in his epic 9 Beet Stretch, 24 hour long concerts with time-stretched 9th symphony by Beethoven, the work featured here is a granulated piece of sound sculpture made on the superb CLM software by Bill Schottsteadt

</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.touchmusic.org.uk/TouchPod/Inge.mp3" length="46222533" />
			<link>http://www.touchradio.org.uk/Radio13/Radio13.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/Inge.mp3</guid>
			<pubDate>Tue, 24 Jan 2006 10:49:05 +0000</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>01:10:33</itunes:duration>
			<itunes:keywords>Touch,TouchRadio,TouchPod,Inge</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 12</title>
			<itunes:author>Jacob Kirkegaard</itunes:author>
			<description><![CDATA[Jacob Kirkegaard - Eldfjall Live at Observatori Festival, Valencia:

"The sounds I here perform with were recorded in two ways: with an acoustic microphone and with an accelerometer. For the acoustic recordings I used a Sanken CSS-5 which I held very closely to the tiny bubbling surface. The accelerometer was inserted approximately 4 cm into the earth and picked up a denser timbre than the acoustic microphone. As opposed to the Eldfjall CD release (where I chose to let the sounds stand by themselves), I here mixed the different sounds with each other to create a more organic sound and a narrative. I began the concert with creaking ice from different lakes in Iceland. These were also recorded with accelerometers. None of the sounds have been processed."]]></description>
			<itunes:subtitle>Jacob Kirkegaard - Eldfjall Live at Observatori Festival, Valencia, November 6th 2005</itunes:subtitle>
			<itunes:summary>Jacob Kirkegaard - Eldfjall Live at Observatori Festival, Valencia:

&quot;The sounds I here perform with were recorded in two ways: with an acoustic microphone and with an accelerometer. For the acoustic recordings I used a Sanken CSS-5 which I held very closely to the tiny bubbling surface. The accelerometer was inserted approximately 4 cm into the earth and picked up a denser timbre than the acoustic microphone. As opposed to the Eldfjall CD release (where I chose to let the sounds stand by themselves), I here mixed the different sounds with each other to create a more organic sound and a narrative. I began the concert with creaking ice from different lakes in Iceland. These were also recorded with accelerometers. None of the sounds have been processed.&quot;</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.touchmusic.org.uk/TouchPod/Eldfjall.mp3" length="24205937" />
			<link>http://www.touchradio.org.uk/Radio12/Radio12.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/Eldfjall.mp3</guid>
			<pubDate>Mon, 09 Jan 2006 12:09:16 +0000</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:36:13</itunes:duration>
			<itunes:keywords>Touch,TouchRadio,TouchPod</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 11</title>
			<itunes:author>O&apos;Malley/Carlson</itunes:author>
			<description><![CDATA[Devolution/Evolution: Stephen O'Malley interviews Dylan Carlson: "Last August I was invited by the american metal magazine, Decibel, to interview Dylan Carlson for a regular feature they call "Under the Influence". The idea of the feature is basically musicians interviewing their main inspirators from the prior time, or something. Although this could be a bit silly and demeaning, Dylan and I have become friendly over the past few years and we both thought it would be a fun opportunity to talk shop and have this published! I can't count the number of times we have been nerding out over tube talk, guitars etc... which is almost the result of this piece. The editor of this said mag agreed to handle the transcription, so I added some initially Ambarchi-inspired bass waves to the recording in order to increase the pressure and atmosphere for the sorry intern who inherited the work. The feature ran with a ridiculous editorial introduction recently, but I think the recording itself turned into a gem of interest. The most memorable part of the conversation included categorization of guitar models by religious persuasion, and speech metal as an athletic event. This marked the second time I interviewed Dylan formally, the first time being in 1993 for a fanzine I had at the time (which remains unpublished, I have the tape somewhere)."]]></description>
			<itunes:subtitle>Devolution/Evolution: Stephen O&apos;Malley interviews Dylan Carlson</itunes:subtitle>
			<itunes:summary>Devolution/Evolution: Stephen O&apos;Malley interviews Dylan Carlson: &quot;Last August I was invited by the american metal magazine, Decibel, to interview Dylan Carlson for a regular feature they call &quot;Under the Influence&quot;. The idea of the feature is basically musicians interviewing their main inspirators from the prior time, or something. Although this could be a bit silly and demeaning, Dylan and I have become friendly over the past few years and we both thought it would be a fun opportunity to talk shop and have this published! I can&apos;t count the number of times we have been nerding out over tube talk, guitars etc... which is almost the result of this piece. The editor of this said mag agreed to handle the transcription, so I added some initially Ambarchi-inspired bass waves to the recording in order to increase the pressure and atmosphere for the sorry intern who inherited the work. The feature ran with a ridiculous editorial introduction recently, but I think the recording itself turned into a gem of interest. The most memorable part of the conversation included categorization of guitar models by religious persuasion, and speech metal as an athletic event. This marked the second time I interviewed Dylan formally, the first time being in 1993 for a fanzine I had at the time (which remains unpublished, I have the tape somewhere).&quot;</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.touchmusic.org.uk/TouchPod/SOMA.mp3" length="22318562" />
			<link>http://www.touchradio.org.uk/Radio11/Radio11.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/SOMA.mp3</guid>
			<pubDate>Wed, 21 Dec 2005 08:41:56 +0000</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:34:01</itunes:duration>
			<itunes:keywords>Touch,TouchRadio,TouchPod,SOMA</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 10</title>
			<itunes:author>Vicki Bennett</itunes:author>
			<description><![CDATA[People Like Us - The Bits In Between: From the digital gutter, here lie all the soundbytes edited out of mic breaks for People Like Us's radio show DO or DIY on WFMU from June to September 2005. The show is all about cutting together avant with pop, and the only aspect of this one hour a week that has ever felt slightly out of place has been the necessary mic breaks. So now we do them justice by taking the entire unedited 3 hours, and in Language Removal Service style we take out all the meaning and are left with 34 minutes of delicious background noise, voice glitches and hesitations.]]></description>
			<itunes:subtitle>People Like Us - The Bits In Between</itunes:subtitle>
			<itunes:summary>People Like Us - The Bits In Between: From the digital gutter, here lie all the soundbytes edited out of mic breaks for People Like Us&apos;s radio show DO or DIY on WFMU from June to September 2005. The show is all about cutting together avant with pop, and the only aspect of this one hour a week that has ever felt slightly out of place has been the necessary mic breaks. So now we do them justice by taking the entire unedited 3 hours, and in Language Removal Service style we take out all the meaning and are left with 34 minutes of delicious background noise, voice glitches and hesitations.</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.touchmusic.org.uk/TouchPod/plu.mp3" length="24813132" />
			<link>http://www.touchradio.org.uk/Radio10/Radio10.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/plu.mp3</guid>
			<pubDate>Fri, 11 Nov 2005 00:00:00 +0000</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:37:50</itunes:duration>
			<itunes:keywords>plu</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 9</title>
			<itunes:author>KK.NULL</itunes:author>
			<description><![CDATA[KK.NULL - [Radio-Animus/Anima] for TouchRadio:

Track 1 - Radio-Animus (composition/improvisation with electronics + voice) 23:32
Track 2 - Radio-Anima 1 (improvisation with a piece of metal) 04:49
Track 3 - Radio-Anima 2 (improvisation with a piece of metal + voice) 04:10

All tracks were recorded live at Super Deluxe, Tokyo, June 15, 2005. Final production at prima natura studio, August 30, 2005.
Performed + produced by Kazuyuki Kishino (KK.NULL).]]></description>
			<itunes:subtitle>KK.NULL - [Radio-Animus/Anima] for TouchRadio</itunes:subtitle>
			<itunes:summary>KK.NULL - [Radio-Animus/Anima] for TouchRadio:

Track 1 - Radio-Animus (composition/improvisation with electronics + voice) 23:32
Track 2 - Radio-Anima 1 (improvisation with a piece of metal) 04:49
Track 3 - Radio-Anima 2 (improvisation with a piece of metal + voice) 04:10

All tracks were recorded live at Super Deluxe, Tokyo, June 15, 2005. Final production at prima natura studio, August 30, 2005.
Performed + produced by Kazuyuki Kishino (KK.NULL).</itunes:summary>
			<enclosure type="audio/x-m4a" url="http://www.touchmusic.org.uk/TouchPod/Radio-Animus%20_%20Radio-Anima%201%20_%20Radio-Anima%202.m4a" length="24012864" />
			<link>http://www.touchradio.org.uk/Radio9/Radio9.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/Radio%2DAnimus%20%5F%20Radio%2DAnima%201%20%5F%20Radio%2DAnima%202.m4a</guid>
			<pubDate>Mon, 10 Oct 2005 00:00:00 +0100</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:35:49</itunes:duration>
			<itunes:keywords>KKNULL</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 8</title>
			<itunes:author>Peter Rehberg</itunes:author>
			<description><![CDATA[Peter Rehberg - Paris Qui Dort - Recorded live at Centre Pompidou, Paris 11.09.2004:

"In June 2004 I was asked by Cinemix to perform a live score to the silent movie 'Paris Qui Dort' (directed by René Clair in 1923) at the Centre Pompidou in Paris on September 11th of that year. 'Paris Qui Dort' ('Paris Asleep', or as the English version of the film is known: 'The Invisible Ray') was not only René Clair's first film but the first film to investigate the theme of the 'deserted city'. The night watchman on the Eiffel Tower comes off his shift to find people all over Paris frozen in motion. Eventually he meets a group of unfrozen people who arrived that morning on a plane. The group enjoys the luxury of the city, dining in restaurants and taking jewelry as they want, however boredom soon sets in and the men fight over the woman. Eventually they receive a radio message directing them to come to a particular address. There a scientist tells them how he invented a ray that has frozen the whole city. They were unaffected because the Eiffel Tower and plane were out of the ray’s range.

And so on.....

This is the recording of that live score."]]></description>
			<itunes:subtitle>Peter Rehberg - Paris Qui Dort - Live at Centre Pompidou, Paris, September 11th 2004</itunes:subtitle>
			<itunes:summary>Peter Rehberg - Paris Qui Dort - Recorded live at Centre Pompidou, Paris 11.09.2004:

&quot;In June 2004 I was asked by Cinemix to perform a live score to the silent movie &apos;Paris Qui Dort&apos; (directed by René Clair in 1923) at the Centre Pompidou in Paris on September 11th of that year. &apos;Paris Qui Dort&apos; (&apos;Paris Asleep&apos;, or as the English version of the film is known: &apos;The Invisible Ray&apos;) was not only René Clair&apos;s first film but the first film to investigate the theme of the &apos;deserted city&apos;. The night watchman on the Eiffel Tower comes off his shift to find people all over Paris frozen in motion. Eventually he meets a group of unfrozen people who arrived that morning on a plane. The group enjoys the luxury of the city, dining in restaurants and taking jewelry as they want, however boredom soon sets in and the men fight over the woman. Eventually they receive a radio message directing them to come to a particular address. There a scientist tells them how he invented a ray that has frozen the whole city. They were unaffected because the Eiffel Tower and plane were out of the ray’s range.

And so on.....

This is the recording of that live score.&quot;</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.touchmusic.org.uk/TouchPod/Paris.mp3" length="24882059" />
			<link>http://www.touchradio.org.uk/Radio8/Radio8.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/Paris.mp3</guid>
			<pubDate>Sat, 17 Sep 2005 00:00:00 +0100</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:37:56</itunes:duration>
			<itunes:keywords>Pita,Rehberg</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 7</title>
			<itunes:author>Toshiya Tsunoda</itunes:author>
			<description><![CDATA[Toshiya Tsunoda - Appearance of physical vibration:

These recordings are studies of the sonic effects of physical vibration

Track 1 - high frequency on a plate glass - 05:46
"Seven piezo ceramic discs are connected with an sine wave generator - and the discs are on a plate glass. Same frequency is output to the piezo discs The frequency shifts slowly and continuously from 9000hz to 20000hz. Due to this, you can listen various sounds made by high-speed cyclic contact between piezo disc and a plate glass, like a ball dribbles. This recording is a private live performance at my room."
Track 2 - top of amplitude - 08:25
"I detected the top and bottom of the amplitude from a certain audio signal by a precious gate device. L channel is top (plus level), R channel is bottom (minus level)."
Track 3 - on electromagnetic siren - 05:26
"Output an audio signal to the coil of an 100hz electromagnetic siren.
The electromagnetic siren vibrates, so you can listen to the amplitude changes according to an audio signal on R channel. L channel, connected by an electrical wire to small metal reeds on the siren which acts like a switch to transmit any vibration from the coil. You can listen intermittently to any change in the vibration. In this work, there are two ways of description; the R channel is continual or linear, the L channel is intermit or dotted."

["The audio signals of tracks 2 and 3 are field recordings source material - environmental sounds from the suburbs. Track 2 was recorded by me, in Fukada-dai, Yokosuka City, Japan, c. 1997. Track 3 was recorded by Steve Roden somewhere in California. Track 3 was made for Steve Roden's installation project several years before which was held in a certain museum of California. 

This material has not been released on any recording media."]]></description>
			<itunes:subtitle>Toshiya Tsunoda - Appearance of physical vibration</itunes:subtitle>
			<itunes:summary>Toshiya Tsunoda - Appearance of physical vibration:

These recordings are studies of the sonic effects of physical vibration

Track 1 - high frequency on a plate glass - 05:46
&quot;Seven piezo ceramic discs are connected with an sine wave generator - and the discs are on a plate glass. Same frequency is output to the piezo discs The frequency shifts slowly and continuously from 9000hz to 20000hz. Due to this, you can listen various sounds made by high-speed cyclic contact between piezo disc and a plate glass, like a ball dribbles. This recording is a private live performance at my room.&quot;
Track 2 - top of amplitude - 08:25
&quot;I detected the top and bottom of the amplitude from a certain audio signal by a precious gate device. L channel is top (plus level), R channel is bottom (minus level).&quot;
Track 3 - on electromagnetic siren - 05:26
&quot;Output an audio signal to the coil of an 100hz electromagnetic siren.
The electromagnetic siren vibrates, so you can listen to the amplitude changes according to an audio signal on R channel. L channel, connected by an electrical wire to small metal reeds on the siren which acts like a switch to transmit any vibration from the coil. You can listen intermittently to any change in the vibration. In this work, there are two ways of description; the R channel is continual or linear, the L channel is intermit or dotted.&quot;

[&quot;The audio signals of tracks 2 and 3 are field recordings source material - environmental sounds from the suburbs. Track 2 was recorded by me, in Fukada-dai, Yokosuka City, Japan, c. 1997. Track 3 was recorded by Steve Roden somewhere in California. Track 3 was made for Steve Roden&apos;s installation project several years before which was held in a certain museum of California. 

This material has not been released on any recording media.&quot;</itunes:summary>
			<enclosure type="audio/x-m4a" url="http://www.touchmusic.org.uk/TouchPod/high%20frequency%20on%20a%20plate%20glass%20_%20top%20of%20amplitude%20_%20on%20electromagnetic%20siren.m4a" length="14225808" />
			<link>http://www.touchradio.org.uk/Radio7/Radio7.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/high%20frequency%20on%20a%20plate%20glass%20%5F%20top%20of%20amplitude%20%5F%20on%20electromagnetic%20siren.m4a</guid>
			<pubDate>Wed, 10 Aug 2005 00:00:00 +0100</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:21:37</itunes:duration>
			<itunes:keywords>Tsunoda</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 6</title>
			<itunes:author>Philip Jeck</itunes:author>
			<description><![CDATA[Philip Jeck - from the archives:

Track 1 - Wholesome Sunday
(A live mix from the 2004 Mor festival, Ireland 22.08.04) 9:20
Track 2 - In Loving Memory: Walter Gibbons and Arthur Russell
(Originally recorded for the TRACE CD, Audio Research Editions, ARECD102, Liverpool, 1999) 2:04
Track 3 - Nelson Surfs [from Touch Sampler 2, 1997] 6:33
Track 4 - 16/17 Rehearsal [from Touch Sampler 3, 1999] 8:18
Track 5 - As My Shadow Passes... [from Touch Sampler 00, 2000] 9:37

and a special bonus - 12:00

Extracts from the live soundtrack "Instructions for Survival", a dance production choreographed and danced by Charlie Morrisey & Scott Smith on 3rd Fenbruary 2005 at the Corn Exchange, Brighton Dome. Recent performances were held at the Linbury Theatre, Opera House, Covent Garden, London on 22nd and 23rd July 2005.

Track 1 - Instructions for Survival 1 5:59
Track 2 - Instructions for Survival 2 6:33]]></description>
			<itunes:subtitle>Philip Jeck - from the archives</itunes:subtitle>
			<itunes:summary>Philip Jeck - from the archives:

Track 1 - Wholesome Sunday
(A live mix from the 2004 Mor festival, Ireland 22.08.04) 9:20
Track 2 - In Loving Memory: Walter Gibbons and Arthur Russell
(Originally recorded for the TRACE CD, Audio Research Editions, ARECD102, Liverpool, 1999) 2:04
Track 3 - Nelson Surfs [from Touch Sampler 2, 1997] 6:33
Track 4 - 16/17 Rehearsal [from Touch Sampler 3, 1999] 8:18
Track 5 - As My Shadow Passes... [from Touch Sampler 00, 2000] 9:37

and a special bonus - 12:00

Extracts from the live soundtrack &quot;Instructions for Survival&quot;, a dance production choreographed and danced by Charlie Morrisey &amp; Scott Smith on 3rd Fenbruary 2005 at the Corn Exchange, Brighton Dome. Recent performances were held at the Linbury Theatre, Opera House, Covent Garden, London on 22nd and 23rd July 2005.

Track 1 - Instructions for Survival 1 5:59
Track 2 - Instructions for Survival 2 6:33</itunes:summary>
			<enclosure type="audio/x-m4a" url="http://www.touchmusic.org.uk/TouchPod/TheArchives.m4a" length="35124384" />
			<link>http://www.touchradio.org.uk/Radio6/Radio6.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/TheArchives.m4a</guid>
			<pubDate>Sat, 11 Jun 2005 00:00:00 +0100</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:52:44</itunes:duration>
			<itunes:keywords>Jeck</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 5</title>
			<itunes:author>Chris Watson</itunes:author>
			<description><![CDATA[Chris Watson - The Galapagos Islands - An Audio Diary: Recorded in April 2005 on The Galapagos Islands, 1000km off the west coast of Ecuador...

Chris Watson was out in the Galapagos Islands recording for a forthcoming tv film series. In particular Chris made a series of recordings throughout the unique and highly specialised Galapagos habitats; from the mist shrouded Miconia zone at the higher altitudes of Santa Cruz down to the dense cactus and thorn scrub bordering the coast on smaller uninhabited islands. This trip was also the first opportunity for Chris to try out location surround sound recording both on land and then underwater, exploring the sonic potential below the surface of the Pacific Ocean with a four channel hydrophone array.]]></description>
			<itunes:subtitle>Chris Watson - The Galapagos Islands - An Audio Diary</itunes:subtitle>
			<itunes:summary>Chris Watson - The Galapagos Islands - An Audio Diary: Recorded in April 2005 on The Galapagos Islands, 1000km off the west coast of Ecuador...

Chris Watson was out in the Galapagos Islands recording for a forthcoming tv film series. In particular Chris made a series of recordings throughout the unique and highly specialised Galapagos habitats; from the mist shrouded Miconia zone at the higher altitudes of Santa Cruz down to the dense cactus and thorn scrub bordering the coast on smaller uninhabited islands. This trip was also the first opportunity for Chris to try out location surround sound recording both on land and then underwater, exploring the sonic potential below the surface of the Pacific Ocean with a four channel hydrophone array.</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.touchmusic.org.uk/TouchPod/ChrisWatson.mp3" length="27313629" />
			<link>http://www.touchradio.org.uk/Radio5/Radio5.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/ChrisWatson.mp3</guid>
			<pubDate>Sun, 08 May 2005 00:00:00 +0100</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:41:38</itunes:duration>
			<itunes:keywords>Watson,Galapagos</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 4</title>
			<itunes:author>z&apos;ev</itunes:author>
			<description><![CDATA[z'ev - untitled:

50 minutes and 3 seconds of binary-acoustics produced 12-14 February 2005, studio dop in Peckham, London

"Note: if you listen with headphones you will as close as possible hear what I heard composing it as I always and only work wearing headphones for just this reason

PS: contrary to some supposition I do not use audiophile headphones - just some old Sony mdr-cd580's"]]></description>
			<itunes:subtitle>z&apos;ev - untitled</itunes:subtitle>
			<itunes:summary>z&apos;ev - untitled:

50 minutes and 3 seconds of binary-acoustics produced 12-14 February 2005, studio dop in Peckham, London

&quot;Note: if you listen with headphones you will as close as possible hear what I heard composing it as I always and only work wearing headphones for just this reason

PS: contrary to some supposition I do not use audiophile headphones - just some old Sony mdr-cd580&apos;s&quot;</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.touchmusic.org.uk/TouchPod/z%27ev.mp3" length="36058715" />
			<link>http://www.touchradio.org.uk/Radio4/Radio4.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/z%27ev.mp3</guid>
			<pubDate>Fri, 01 Apr 2005 00:00:00 +0100</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:55:03</itunes:duration>
			<itunes:keywords>zev,ZEV</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 3</title>
			<itunes:author>Fennesz/Nagl</itunes:author>
			<description><![CDATA[Christian Fennesz & Max Nagl - Live at Amann Studios, Vienna: Recorded by Christoph Amann on 22nd December 2004 at 2200 hrs

Christian Fennesz and the renowned Viennese composer and saxophone player Max Nagl met at the studio during one of the studio's recent live recording sessions and spontaneously decided to do a show together. Originally intended as a secret gig, the details were leaked to a newspaper and a rammed studio witnessed a memorable live event...

With thanks to Christoph Amann for making this possible, and for mastering the recordin]]></description>
			<itunes:subtitle>Christian Fennesz &amp; Max Nagl - Live at Amann Studios, Vienna, December 22nd 2004</itunes:subtitle>
			<itunes:summary>Christian Fennesz &amp; Max Nagl - Live at Amann Studios, Vienna: Recorded by Christoph Amann on 22nd December 2004 at 2200 hrs

Christian Fennesz and the renowned Viennese composer and saxophone player Max Nagl met at the studio during one of the studio&apos;s recent live recording sessions and spontaneously decided to do a show together. Originally intended as a secret gig, the details were leaked to a newspaper and a rammed studio witnessed a memorable live event...

With thanks to Christoph Amann for making this possible, and for mastering the recordin</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.touchmusic.org.uk/TouchPod/FenneszNagl.mp3" length="27778745" />
			<link>http://www.touchradio.org.uk/Radio3/Radio3.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/FenneszNagl.mp3</guid>
			<pubDate>Fri, 11 Mar 2005 00:00:00 +0000</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:42:20</itunes:duration>
			<itunes:keywords>Fennesz,Nagl,Amann</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 2</title>
			<itunes:author>Carl Michael von Hausswolff</itunes:author>
			<description><![CDATA[Carl Michael von Hausswolff - AS QUIET AS A CAMPFIRE or ANALOGUE MOTORIC AND ELECTRO-MAGNETIC SILENCE DISTURBED BY INTUITIVE SLUMBER c/w MINGLING or DODEKAPHONIC DRONES INTERFERED BY KNOWN AND UNKNOWN DIGITAL PHENOMENA:

Track 1 - AS QUIET AS A CAMPFIRE or ANALOGUE MOTORIC AND ELECTRO-MAGNETIC SILENCE DISTURBED BY INTUITIVE SLUMBER: 
[Dedicated to John Cage] 20:42

Track 2 - MINGLING or DODEKAPHONIC DRONES INTERFERED BY KNOWN AND UNKNOWN DIGITAL PHENOMENA: 
[Dedicated to Arnold Schönberg] 20:06

Originally released on vinyl by Ash International [Ash # 3.7] in 1997]]></description>
			<itunes:subtitle>Carl Michael von Hausswolff - AS QUIET AS A CAMPFIRE or ANALOGUE MOTORIC AND ELECTRO-MAGNETIC SILENCE DISTURBED BY INTUITIVE SLUMBER c/w MINGLING or DODEKAPHONIC DRONES INTERFERED BY KNOWN AND UNKNOWN DIGITAL PHENOMENA</itunes:subtitle>
			<itunes:summary>Carl Michael von Hausswolff - AS QUIET AS A CAMPFIRE or ANALOGUE MOTORIC AND ELECTRO-MAGNETIC SILENCE DISTURBED BY INTUITIVE SLUMBER c/w MINGLING or DODEKAPHONIC DRONES INTERFERED BY KNOWN AND UNKNOWN DIGITAL PHENOMENA:

Track 1 - AS QUIET AS A CAMPFIRE or ANALOGUE MOTORIC AND ELECTRO-MAGNETIC SILENCE DISTURBED BY INTUITIVE SLUMBER: 
[Dedicated to John Cage] 20:42

Track 2 - MINGLING or DODEKAPHONIC DRONES INTERFERED BY KNOWN AND UNKNOWN DIGITAL PHENOMENA: 
[Dedicated to Arnold Schönberg] 20:06

Originally released on vinyl by Ash International [Ash # 3.7] in 1997</itunes:summary>
			<enclosure type="audio/x-m4a" url="http://www.touchmusic.org.uk/TouchPod/Dedicated%20to%20John%20Cage%20_%20Dedicated%20to%20Arnold%20Schonberg.m4a" length="30080208" />
			<link>http://www.touchradio.org.uk/Radio2/Radio2.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/Dedicated%20to%20John%20Cage%20%5F%20Dedicated%20to%20Arnold%20Schonberg.m4a</guid>
			<pubDate>Tue, 01 Feb 2005 00:00:00 +0000</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:44:56</itunes:duration>
			<itunes:keywords>Hausswolff,KREV</itunes:keywords>
		</item>
		<item>
			<title>TouchRadio 1</title>
			<itunes:author>BJNilsen</itunes:author>
			<description><![CDATA[BJNilsen - Land of Lions: "I was invited by Phill Niblock to do a performance at his loft in Chinatown, New York. A suggestion was made that the night would be shared with my friend Lary 7 who also performed that evening. The playback system was configured as a quadraphonic speaker set-up. This is an A/B microphone recording

With thanks to: Phill, Lary 7, Dion, Tonic and all the good spirits of NYC, and the recording engineer, Byron Westbrook"]]></description>
			<itunes:subtitle>BJNilsen - Land of Lions - Live in New York City, December 15th 2004</itunes:subtitle>
			<itunes:summary>BJNilsen - Land of Lions: &quot;I was invited by Phill Niblock to do a performance at his loft in Chinatown, New York. A suggestion was made that the night would be shared with my friend Lary 7 who also performed that evening. The playback system was configured as a quadraphonic speaker set-up. This is an A/B microphone recording

With thanks to: Phill, Lary 7, Dion, Tonic and all the good spirits of NYC, and the recording engineer, Byron Westbrook&quot;</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.touchmusic.org.uk/TouchPod/BJNilsen.mp3" length="27260852" />
			<link>http://www.touchradio.org.uk/Radio1/Radio1.m3u</link>
			<guid>http://www.touchmusic.org.uk/TouchPod/BJNilsen.mp3</guid>
			<pubDate>Wed, 12 Jan 2005 00:00:00 +0000</pubDate>
			<category>Music</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:41:32</itunes:duration>
			<itunes:keywords>BJNilsen,Nilsen,Hazard</itunes:keywords>
		</item>
	</channel>
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