| |

|
|
Biosphere
- Cirque
Touch
# TO:46
CD
11 tracks - 47:32
- 1.
Nook & Cranny 2. Le
Grand Dome
3. Grandiflora 4. Black
Lamb & Grey Falco 5. Miniature
RockDwellers 6. When
I Leave 7. Iberia
Eterea
8. Moistened & Dried 9. Algae
& Fungi part 1 10. Algae
& Fungi part 2 11. Too
Fragile to Walk On
Release Date: Now in stock
Biography
of Geir Jenssen
|
|
Biosphere
/ info
Quite
unlike any other, Geir Jenssen's so-called 'Arctic Sound' transforms the
space in which it is played. You might play it in a Mediterranean heatwave,
or listen to it during rush hour, and Substrata would prove more effective
than any conventional form of air conditioning. Biosphere's music is an
intimate reflection of the space and climate of Jenssen's Arctic base in
Tromsö, Norway, but made universal. Adjectives like "glacial" and "remote"
do no justice to the intense emotion of the music.
- Biosphere
had quite an impact with his first CD in 1992 on R&S Records, Microgravity.
Perfect for the rave scene. The follow-up, Patashnik, was even more
successful, with one track, 'Novelty Waves', being chosen as the soundtrack
to a Levi's ad. Everything looked good for Biosphere, now poised to
join techno's premier league of Orbital, Aphex and Underworld, but Geir
Jenssen decided this was not for him and chose mountain climbing over
trainspotting. Three years later, Substrata showcased a sound whose
dimensions evoked the luscious quality of Brian Eno's On Land, Arvo
Pärt and even the best of Ennio Morricone. Certainly beyond "Ambient".
- Another
three years, and so to CIRQUE. Here, the space&endash;shifting world
of Substrata is fused with the liquid electronic rhythms of Biosphere's
earlier work. The outcome is almost addictive - layers of detail revealing
themselves as you listen and appreciate the convergences deep within
the music, between classical and pop, the soundtrack and its voiceover.
- CIRQUE
is inspired in part by the story of Chris McCandless, who in April 1992
hitchhiked to Alaska and walked alone into the wilderness, only to be
found dead four months later having made a tragic error with his food
supply (see Jon Krakauer, Into the Wild, Pan Books 1998). For some,
those too busy with the daily chore of being 'normal', McCandless' quest
represented ultimate folly, but to others, rare idealism in his solo
rebellion of stepping off the treadmill to go living in the wild.
- CIRQUE
reflects this idealism, but also the danger lurking in paradise. The
music plays like a film, one scene dissolving into the next. Codas pinpoint
the action like spotlights, and location recordings weave in and out
of the sound giving it the dramatic tension of a great documentary.
There is nothing old-fashioned, however, in the outcome. CIRQUE is future
music. Cinema for the spirit.
|