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Touch
Sampler 2
Touch # T_ZERO_2 CD 22 tracks - 75:06 1. Ansaphone 0.13 2. Polyphony Group of Lapharda: Legenda e Tanës 3.53 3. Air traffic control 0.37 4. Cold Warrior: Yellow Square 7.02 5. The Hafler Trio: Replacement 1.27 6. Philip Jeck: Nelson Surfs 6.28 7. Runaway Train 3.39 8. A scientist, or artist... 0.06 9. New Order: Video 586.3 6.57 10. Igusti Ngurah Togog & his son: frog sound 1.35 11. Mark Van Hoen: Channel of Light 5.30 12. Ryoji Ikeda: Headphonics 0/0 3.11 13. Mother Tongue: The Voice and the Ear 2.08 14. Scala: Hold Me Down 3.51 15. John Duncan: Priority 2.52 16. Disinformation: Loran-C VLF 4.17 17. Couldn't this lengthy therapy... 0.05 18. Anthony Phillips: Danza Cuccaracha 5.44 19. Chris Watson: Guanacaste 2.13 20. The Musiara Gate 1.55 21. Folk Orchestra of Albania: Dite E Zeze ISH KONE... 2.54 22. Mark Van Hoen & Daren Seymour: Omnipotent 6.45 |
info
A moment in time becomes a period of time The Small Print: For the first time on CD - New Order's Video 586, a blue print for 'Blue Monday' - Mark Van Hoen from his forthcoming album on Touch (TO:31, 1997) - a spoken word track from The Hafler Trio - Philip Jeck (Touch, 1997) - two new pieces from legendary wildlife sound recordist Chris Watson (Cabaret Voltaire, The Hafler Trio...) - Anthony Phillips, specially recorded for this release - The Folk Orchestra of Albania - Mother Tongue (z'ev, Andrew Mckenzie and Doro Frank) - a previously unreleased track from Mark Van Hoen [Locust] and Daren Seymour [Seefeel] and an extract from the Ash International vinyl-only release, 'Runaway Train'...(Ash 1.9) The train hurtled on through the tunnel and the passengers, at first blinded by the black smoke, were now left sightless in the dark. The awesome view of rolling downs flanked by mountainous peaks was hidden from them; it was even hard to tell if the darkness was the black of the tunnel or the smoke itself. But gradually it cleared, and the light grew, grey then pink and finally a dazzling light which forced those with necks craning to catch a glimpse of the view to jerk their hands to their eyes for protection. But at last the splendour was theirs to see; the light cascaded into the coaches and the train, announcing itself, blasted out a shrill and deafening whistle. It banked around a sharp turn and thundered uphill towards the uplands. At the top they would be able to gaze down on the panorama - the reason they had joined the train earlier; the feeling of being on top of the world but also recognising that man is such an insignificant part of it. (MSCH) sampler is now sold out |
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