About Touch Radio
[192 Kpbs/44.1 Khz/Stereo unless stated]
All these recordings are exclusive to TouchRadio and are free to listen.
When you click on the audio title you will be directed to a mp3 file. On editions with multiple mp3 files, the link directs to a single .m3u playlist file which will play the mp3s in sequence when opened in your audio player. You can also subscribe for free to the TouchPod podcast of TouchRadio, via the iTunes Music Store, by clicking here, or our podcast feed here
The British Library is home to the UK’s national collection of radio recordings in its Sound Archive. On 18th November 2010, the entire collection was handed over to and shared with The British Library, and is now a "named collection" within the Library's Archival Sound Recordings website. You can read more about this here.
Touch Radio 112 | Bethan Parkes
06.04.15 - Bethan Parkes - Krafla Geothermal Power Station/Hverir, Iceland June 2014 - 27:28 - 320 kbps
This composition features unprocessed recordings from Krafla Geothermal Power Station and the nearby mudpools and steam vents of Hverir in Northern Iceland. The recordings were made in June 2014, on the Wildeye sound recording course led by Chris Watson and Jez Riley French, using a SoundField SPS200 and JrF contact microphones.
The composition draws upon the spatial experiences of recording at these sites, journeying from the booming, all-encompassing drone emitting from the boreholes; through the uncontained, explosive energy of steam vents and bubbling mud-pools; and into the inner sonic worlds of the metal pipes and geodesic structures that punctuated the lava field.
Continue reading: Touch Radio 112 | Bethan Parkes
Touch Radio 111 | Mark Van Hoen
17.02.15 - Mark Van Hoen - Anthem for the Homeless - 21:40 - 320 kbps
"Inspired by BJ Nilsen's performance at LACE in Los Angeles last month, I decided to attempt my own composition using field recordings. The source recordings are quite crude in comparison to those made by the great Mr Nilsen; I even used only an iPhone to collect the recordings; but after a little judicious use of processing back at the studio, I am pleased with the results. On leaving LACE after the show, I noticed how many homeless were sleeping in the doorways at the back of the venue, where my car was parked. There were several droning air-conditioners, some emitting quite rhythmic sounds. It occurred to me that there are many that would hear this as music (myself included) but it's very doubtful that those sleeping in those doorways do... or perhaps some do find some comfort or music in such sounds. I assembled several of them to create this, an anthem for the homeless."
Photo by Mike Harding taken in downtown Los Angeles
Continue reading: Touch Radio 111 | Mark Van Hoen
Touch Radio 110 | Pinkcourtesyphone
22.01.15 - Pinkcourtesyphone - Live at LACE - 35:40 - 320 kbps
Recorded by Myke Dodge Weiskopf at Touch presents... Live in Los Angeles, 21st January 2015. With thanks to LACE, VOLUME and especially Yann Novak.
Continue reading: Touch Radio 110 | Pinkcourtesyphone
Touch Radio 109 | Before Surgery
04.01.15 - Before Surgery - Potlatch - 16:19 - 320 kbps
Field recording of fireworks on Saint John's Night, June 23, 2014, the local pagan inheritor celebration of the Summer Solstice. Recording by Heitor Alvelos on Bruce Geduldig and Bernadette Martou's balcony, Porto, Portugal. The vantage point, overlooking the tail end of the Douro river from a considerable height, allows the acoustic experience to become as impressive as the visual: the sound of the fireworks travels back and forth through the valley in considerable detail.
Recent trends in mass entertainment have dictated the expectation for further ingredients of sensory input, i.e. the "pure" experience of the explosives shall not be enough. Cue the arrival of pop anthems as an added sound layer that, as far as acoustics go, can only be experienced as a distraction. This is the main reason for the dramatic pitch shift in the present recording: the sound fabric is brought down to the point where pop pap no longer hurts. In the meantime, a different landscape emerges, austere and foreboding.
Edited by Heitor Alvelos in Suçães, August 2014: the recording has been left unaltered save for a pitch shift of -77%.
Mastered by Anselmo Canha in Porto, September 2014.
Assisted at various times by José Maria Lopes, Teresa Serôdio, José Canha, Antifluffy.
Continue reading: Touch Radio 109 | Before Surgery
Touch Radio 108 | BJNilsen
31.12.14 - BJNilsen - NYE Berlin-Schöneberg 31.12.2014 - 38:26 - 320 kbps
Continue reading: Touch Radio 108 | BJNilsen
Touch Radio 107 | Audialsense
1.12.14 - Audialsense - Industrial Revolutions - 19:02 - 320 kbps
In May 2014, we were lucky enough to have direct access to the great machines of the industrial revolution on display in London’s Science Museum; the Mill Engine, by the Burnley Ironworks company, 1903, the Difference Engine No2, by Charles Babbage 1849.
Sound has been integral in the relationship of the machines and their operators; used as a primary diagnostic tool, the ‘sound’ of various operating components reveal the machines state of well being. Operators listened to the ‘song’ of their engines, gaining insight in to particular problems, and clues to required maintenance.
Using accelerometers fixed to the steelwork of the engines, we could extract this world of sound; escaping steam, muscular pistons, popping and crackling valves … rhythmic and stuttering, sensitive and forthright… the ‘man made’ qualities of the engineering being exposed in the recordings.
Track 01. Mill Engine: A series of recordings of various parts of the engine.
Track 02. Difference Engine: A complete recording of a calculation cycle, this one being the polynomial equation;
Y= 41+ 4X + 7X2 + X3 + 5X4 + 9X5 + 2X6 + 8X7
All recordings are exclusive.
Audialsense would like to thank Aleksander Kolkowski and the conservators of the Science Museum.
Photography: Asako Bavister
Continue reading: Touch Radio 107 | Audialsense
Touch Radio 106 | Yann Novak
1.11.14 - Yann Novak - Repose - 42:24 - 320 kbps
Repose was a site specific performance in Cocky Eek’s inflatable performance space, Sphæræ, commissioned by the 2014 AxS Festival in Pasadena, California.
The performance highlighted this unique space through a gesture-less performance of sound and light. The piece is comprised of a purely synthesized sound devoid of traditional compositional elements and was accompanied by 180º projections of pure color.
Repose is presented here in a longer form to take advantage of the digital format.
Photo: Terry LeMoncheck
Continue reading: Touch Radio 106 | Yann Novak
Touch Radio 105 | Jiyeon Kim
1.10.14 - Jiyeon Kim - Grandmothers' Lounge - From the Other Side of Voices - Lounge Mix - 15:08 - 320 kbps
3 mixes, 3 directional speakers, sound installation 2014, Jiyeon Kim @ SeMa Biennale MediaCity Seoul
'Grandmothers' Lounge - From the Other Side of Voices' is a joint work of radio producer Sang-il Choi (KR) and sound artist Jiyeon Kim (KR), commissioned by SeMa Biennale MediaCity Seoul 2014. Largely based on Sang-il Choi's anthropological audio recordings of folksongs and stories of grandmothers from South Korea, Jiyeon Kim made this sound installation adopting 3 directional speakers. This mix is especially prepared for TouchRadio.
birds without mouths 00:00~06:17
Grandmothers who had lived in mountain villages used to play with imitating bird's call. Songs about birds and imitative sounds of birds call were passed on orally. For the people who lived in mountainous areas, birds were believed to be the reincarnation of the dead, who had oppression and resentment during their lives. Most of the words and lyrics concern listening to one's sorrows and comforting one's soul. You can hear calls of the lark, owl, cuckoo, wood pigeon, pheasant, nightingale, etc mimicked by grandmothers from different mountain villages with rustling leaves and folksong on birds.
A mix of grandmothers' confessions during the act of praying with songs used in exorcism rituals. Sounds of metal resonance, water flow and feedback were added to accentuate an aspect of their lives - a shaman in their own families.
unfinished chorus 10:59~15:07
This mix starts with one of the old ladies saying, "…I can't even sing." As song is assumed as a centralised and capitalised epic, marginal unsong elements are often neglected and erased. With chopped sounds and refrains from mainly labour folksongs, I focused on 'unsung elements' (breaths, humming, laughter, shouts, etc.) to be extended into another kind of song. Grandmothers' chorus would not be finished until they stop breathing.
Continue reading: Touch Radio 105 | Jiyeon Kim